Love it, hate it, or hate it love: the smash-hit Netflix series ‘Emily in Paris’, which retains long-held fantasies about the Light City and endlessly and happily ever after. Includes French, leaves no one sad.
After an American in Paris, “Funny Face,” “Moulin Rouge,” or “Emily,” Paris’s pink, romantic outlook – a new arrival with Instagram – is once again in its heyday. Most Viewed Series
However, many French critics bully the 10-episode series, tired of seeing Parisians portrayed as suspicious janitors, bizarre bakers or waiters, or snowbish, lazy, and/or redundant co-workers.
Meanwhile, the American heroine never takes the subway and lives in an attic room that was once believed to be used for a maid who is irregularly large, taller than a beautiful neighbor, who is utterly indestructible. Is.
It’s a disturbing truth that bothers Lindsay Tramuta, an American writer who has lived in Paris for 15 years.
Tramuta writes “The Ni Paris Paris” and “The Ni Paris Paris,” She tries to show that the city has more than just old-worldly brochures and corner cafes.
“We were in 2020, and we are still recycling old cards,” she said, referring to an economic and social reality that is being overlooked in a city where jihadist attacks, Yellow West protests, and There have been public attacks.
“It’s not a bad series of clicks,” he added. “When Paris is consistently portrayed in this way, for generations, it contributes to a long-term understanding of the place itself.”
One of these problems is the so-called Paris Syndrome, which people call when they arrive in the capital a serious disappointment felt by some tourists and see as such.
For Tramuta, the rose-colored picture “is an example of how Paris is being exploited by movie companies, luxury brands, writers, etc. It makes the city look like an Instagram-filtered playground.”
Criticized for escalating the French-US cultural clash, Emily in Paris has managed to recycle decades-old clicks, and Netflix is totally at ease with that.
“If Emily came to your city and not ‘in Paris,’ what would be the big buds in the series?”
Referring to a rapper born in the southern French city, he said, “Take Emily to Marseille = it’s always sunny, the smells of the old harbor and the joules roam the streets.”
“Clicks have all the truth, or they don’t click. At the same time, clicks die hard,” said Agnes Poyer, author of the Left Bank, a book on post-war intellectual and cultural life in Paris.
“And compared to American cities, yes, Paris looks and feels romantic, and France has a different and more tolerant attitude towards extramarital affairs and marriage,” she says.
Stupid and funny
However, she adds: “Paris and the people of Paris are fascinated by what they are doing now for real historical reasons,” referring to books or movies that describe “the city of love,” casual sex, or a good life. Has created an image of life.
Ines de la Fresenz, a fashion designer and co-author of the best-selling lifestyle book ‘La Parisen,’ says it’s all probably a dreamy Paris, but there’s “a little bit of truth in it” nonetheless.
“We often forget that Americans see Paris as a kind of Disneyland – Emily takes selfies with the soothing chocolate. But in New York, we are also amazed by the Empire State Building, ”says the former model.
“Paris is currently facing a shortage of tourists. If people want to come here by clicking on Gastronomy, Beauty, and Beauty, this is not a problem.
And the series, produced by Darren Starr, who also produced ‘Sex and the City,’ echoed foreigners’ tweets, saying they wanted to stay in Paris after watching the series.
“It’s a silly and funny Roman nation with a lot of foreign affiliations,” says Lane Nisset, an American freelance journalist who specializes in travel and gastronomy and has lived in Paris for almost two years.
“For Americans, the French still represent class and intelligence,” he says, “and in times of coronavirus epidemics when” they can’t travel, it makes them dreams, it’s survival. “